Had a request for a re-up of the above. Sorry it took so long, all my data has been deleted from various web hosts and had to dig it all out again. Hope you enjoy it.
Plus hear a new track from the forthcoming album WIXIW here
Released sometime June 2012 the new album is said to be more electronic and sample based than previous records, lets hope it's another interesting shift in direction for the band.
Gotta admit, I'm looking forward to this one big time, been too long between releases for one of my fav' contemporary acts. Link to tunes (2018).....Liars B-Sides
Showing posts with label Liars. Show all posts
Showing posts with label Liars. Show all posts
Thursday, 26 April 2012
Sunday, 23 October 2011
Liars - B- Sides and Compilations Compiled
It's no secret I'm a massive fan of U.S. noise hipsters Liars. Of the glut of 'altern/ underground' bands that arose in the early 2000's, Liars are perhaps the ones that still sail closest to the wind in being not afraid to try something new. Whilst there are a few overlaps sound-wise with their five studio albums, each does have it's own distinctive 'vibe' and sound.
The first LP released in 2001/2 - 'They Threw Us In A trench And Put A Monument On Top was a wonderfully tense and angular affair, with careening post punk scratch guitar against a fervent Gang of Four style wired funk bass and drums, and a 'running round the block' vocal urgency that was infective. It was love at first spin, and became one of my albums of the year (nay decade).
This was followed by a total change of direction in 2004 release ' They Were Wrong So We Drowned' Haunted 'Halloween' tribalism was the order of the day. With a big nod to the forbidding 1985 Sonic Youth album 'Bad Moon Rising', easy listening it certainly was not (hear a live recording of this tour from an earlier post here) but it succeeded in bucking the 'punk funk' audience that seemed to have coalesced around the band. Rumour has it that they totally scrapped the follow up to 'They Threw Us In A Trench...' in order to follow their twisted occult leanings out in darkest mid state New York. Worried that the original follow up was to much like the debut, they threw the baby out with the bath water and totally re-realised their vision in 'They Were Wrong'.
2005 album 'Drums Not Dead' was upon initial listens, a bit of a disappointment for me I must admit. Whilst on the surface it appeared to follow a similar vein to 'They Were Wrong...', albeit with a more electronic sheen, it did take a while for it to reveal it's layers, and I spent quite a lot of time worrying that they had shot their bolt musically speaking. In the years since it's release, it's a record I've warmed to immnesley, and if not quite as out there as 'They Were Wrong...' or as Insistent as their debut, it's still a mighty fine record. There is a concept at work, with Mt Heart Attack turning up as a theme on several tracks. All that said, It's worth the entry fee for the heartbreaking beauty of 'The Other Side Of Mount Heart Attack' alone
The next album came two years later in the eponymously titled 'Liars'. An altogether more electro psyche affair, it has more than it's fair share of alt. 'rockers' but for me has a certain 'downer' feel to it as well. Sweeping from Jesus and Mary-Chain style 'Spectorisms' to almost dream pop moments, it's a real return to form music wise.
'2010 release Sisterworld was for me, the pinnacle of their experimentation, in the same way that Bowie's 'Scary Monsters and Super Creeps' seemed to take a little of what went before and mixed it all up, Liars did the same with Sisterworld. Encompassing great Kraut grooves (Proud Evolution) alongside slightly sinister ditties to suicide (Scissor) and ode's to the goof off lifestyle (The Overachievers), for me, this is their 'Tour de force' musically.
Which brings me to the point of the post...the bits between the bits, the uncollected debris of their career, compiled for your delectation into two neat discs worth of oddities and out-thereness.
Liars - B-Sides Compiled goes something like this...
Part 1......
1. Pillars Were Hollow And Filled With Candy So We Tore Them Down
2. Everyday Is A Child With Teeth
3. Rose And Licorice
4. All In All A Careful Party
5. Dorothy Taps The Toe Of The Tinman
6. We Got Cold, Coughed And Forgot Things
7. You Know I Hate Stupid Phones
8. Every Two Hours With A Ducks Fan
9. Leaving For Dubbo In A Panda-Bear
10. Skull and Crossbrooms
11 Broom
12 Sex Boy
13 The Fountain And Its Monologue
14 The Frozen Glacier Of Mastadon Blood
15 Bingo! Count Draculuck
16 Do As The Birds, Eat The Remains
And Part 2....
17 Sunset Rodeo
18 Mimic The Hurricano
19 Volcano Police
20 Panic Button
21 Leopard On My Right
22 Dear
23 Red Dirt
24 Dear God
25 Cycle Time
26 HouseClouds
27 Pure Unevil
28 Plaster Casts of Everything
Tracks 1-2 taken from the 'Fins To Make Us More Like Fish' EP
Tracks 3-5 taken from the split LP with Oneida 'Atheists Reconsider'
Tracks 6-8 taken from the 'We No Longer Knew Who We Were' EP
Track 9 from Split 7" with Yeah Yeah Yeahs
Tracks 10-11 taken from the single 'There's Always Room On A Broom'
Tracks 12-13 taken from the EP 'We Fenced The Gardens With The Bones Of Our Own'
Track 14-15 taken from the single 'It Fit When I Was A Kid'
Track 16 from the 'Other Side Of Mt. Heart Attack' single
Tracks 17 'Sunset Rodeo' free web download
Tracks 18-19 taken from 'Plaster Casts Of Everything' single
Track 20 from the 'Worried Noodles' compilation album
Tracks 21-22 from 'Leopard On My Right' single
Tracks 23-24 from the 'Houseclouds' single
The rest are a few A-Sides
If you fancy a listen - get it Here....
The first LP released in 2001/2 - 'They Threw Us In A trench And Put A Monument On Top was a wonderfully tense and angular affair, with careening post punk scratch guitar against a fervent Gang of Four style wired funk bass and drums, and a 'running round the block' vocal urgency that was infective. It was love at first spin, and became one of my albums of the year (nay decade).
This was followed by a total change of direction in 2004 release ' They Were Wrong So We Drowned' Haunted 'Halloween' tribalism was the order of the day. With a big nod to the forbidding 1985 Sonic Youth album 'Bad Moon Rising', easy listening it certainly was not (hear a live recording of this tour from an earlier post here) but it succeeded in bucking the 'punk funk' audience that seemed to have coalesced around the band. Rumour has it that they totally scrapped the follow up to 'They Threw Us In A Trench...' in order to follow their twisted occult leanings out in darkest mid state New York. Worried that the original follow up was to much like the debut, they threw the baby out with the bath water and totally re-realised their vision in 'They Were Wrong'.
2005 album 'Drums Not Dead' was upon initial listens, a bit of a disappointment for me I must admit. Whilst on the surface it appeared to follow a similar vein to 'They Were Wrong...', albeit with a more electronic sheen, it did take a while for it to reveal it's layers, and I spent quite a lot of time worrying that they had shot their bolt musically speaking. In the years since it's release, it's a record I've warmed to immnesley, and if not quite as out there as 'They Were Wrong...' or as Insistent as their debut, it's still a mighty fine record. There is a concept at work, with Mt Heart Attack turning up as a theme on several tracks. All that said, It's worth the entry fee for the heartbreaking beauty of 'The Other Side Of Mount Heart Attack' alone
The next album came two years later in the eponymously titled 'Liars'. An altogether more electro psyche affair, it has more than it's fair share of alt. 'rockers' but for me has a certain 'downer' feel to it as well. Sweeping from Jesus and Mary-Chain style 'Spectorisms' to almost dream pop moments, it's a real return to form music wise.
'2010 release Sisterworld was for me, the pinnacle of their experimentation, in the same way that Bowie's 'Scary Monsters and Super Creeps' seemed to take a little of what went before and mixed it all up, Liars did the same with Sisterworld. Encompassing great Kraut grooves (Proud Evolution) alongside slightly sinister ditties to suicide (Scissor) and ode's to the goof off lifestyle (The Overachievers), for me, this is their 'Tour de force' musically.
Which brings me to the point of the post...the bits between the bits, the uncollected debris of their career, compiled for your delectation into two neat discs worth of oddities and out-thereness.
Liars - B-Sides Compiled goes something like this...
Part 1......
1. Pillars Were Hollow And Filled With Candy So We Tore Them Down
2. Everyday Is A Child With Teeth
3. Rose And Licorice
4. All In All A Careful Party
5. Dorothy Taps The Toe Of The Tinman
6. We Got Cold, Coughed And Forgot Things
7. You Know I Hate Stupid Phones
8. Every Two Hours With A Ducks Fan
9. Leaving For Dubbo In A Panda-Bear
10. Skull and Crossbrooms
11 Broom
12 Sex Boy
13 The Fountain And Its Monologue
14 The Frozen Glacier Of Mastadon Blood
15 Bingo! Count Draculuck
16 Do As The Birds, Eat The Remains
And Part 2....
17 Sunset Rodeo
18 Mimic The Hurricano
19 Volcano Police
20 Panic Button
21 Leopard On My Right
22 Dear
23 Red Dirt
24 Dear God
25 Cycle Time
26 HouseClouds
27 Pure Unevil
28 Plaster Casts of Everything
Tracks 1-2 taken from the 'Fins To Make Us More Like Fish' EP
Tracks 3-5 taken from the split LP with Oneida 'Atheists Reconsider'
Tracks 6-8 taken from the 'We No Longer Knew Who We Were' EP
Track 9 from Split 7" with Yeah Yeah Yeahs
Tracks 10-11 taken from the single 'There's Always Room On A Broom'
Tracks 12-13 taken from the EP 'We Fenced The Gardens With The Bones Of Our Own'
Track 14-15 taken from the single 'It Fit When I Was A Kid'
Track 16 from the 'Other Side Of Mt. Heart Attack' single
Tracks 17 'Sunset Rodeo' free web download
Tracks 18-19 taken from 'Plaster Casts Of Everything' single
Track 20 from the 'Worried Noodles' compilation album
Tracks 21-22 from 'Leopard On My Right' single
Tracks 23-24 from the 'Houseclouds' single
The rest are a few A-Sides
If you fancy a listen - get it Here....
Labels:
Alt.Rock,
B-sides,
Compilations,
Experimental,
Liars,
Misc
Sunday, 13 March 2011
More Old Bootlegs - Liars Live Manchester Roadhouse 5th May 2004
Seem to have turned up a small cash of concerts that i attended a few years ago. I'm a massive fan of Liars, so thought I'd share this with you. It's from the European tour supporting their second album 'They Were Wrong So We Drowned'. Not sure what the last track is called, though i seem to recall Angus called it 'Southern Uric Acid' at the time. Don't think it ever developed beyond a jam, I don't recognise it from later releases, but if you know better, let me know. You can hear it Here.
Setlist for the night was...
Here's a small 'review' of the night if found.
"Liars songs are raw and unapproachable; unstructured compared to anything we have come to expect from conventional music and melodically vacant. Vocalist Agnus Andrew sings with an ominous monotone, pronouncing syllables in time with drum beats like a shaman reciting a prayer or a spell. But though Liars' music differs from that of The Blood Brothers, their performance is as intriguing. Dressed like a mad man on ket, Agnus Andrew collapses around the stage in a three-quarter-length matron’s uniform featuring the shakily written slogan, 'Weapons of ASS Destruction', on the back. He does well to jump into the ceiling and not fall into seizure. Or perhaps this crazy dancing _is_ his seizure. However crazy this may be, the underlying charisma makes you love it; watching this man is fun.
At times it is questionable if Liars are really pushing boundaries in music or just taking the piss. Songs become so extended that once stimulating repetitive drums become annoyingly drawn-out and dull. Where the Blood Brothers were giving and exuberant, Liars seems self-indulgent and pretentious. In theory, Liars' fresh take on avant-garde music is formidable, but commercially, it's just not Busted."
Not sure I agree with his views, but as the landed gent character from the Fast Show says " I was very, very Drunk!"
Setlist for the night was...
Here's a small 'review' of the night if found.
"Liars songs are raw and unapproachable; unstructured compared to anything we have come to expect from conventional music and melodically vacant. Vocalist Agnus Andrew sings with an ominous monotone, pronouncing syllables in time with drum beats like a shaman reciting a prayer or a spell. But though Liars' music differs from that of The Blood Brothers, their performance is as intriguing. Dressed like a mad man on ket, Agnus Andrew collapses around the stage in a three-quarter-length matron’s uniform featuring the shakily written slogan, 'Weapons of ASS Destruction', on the back. He does well to jump into the ceiling and not fall into seizure. Or perhaps this crazy dancing _is_ his seizure. However crazy this may be, the underlying charisma makes you love it; watching this man is fun.
At times it is questionable if Liars are really pushing boundaries in music or just taking the piss. Songs become so extended that once stimulating repetitive drums become annoyingly drawn-out and dull. Where the Blood Brothers were giving and exuberant, Liars seems self-indulgent and pretentious. In theory, Liars' fresh take on avant-garde music is formidable, but commercially, it's just not Busted."
Not sure I agree with his views, but as the landed gent character from the Fast Show says " I was very, very Drunk!"
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